From the Permanent Collection (2012-2013)

A re-imagining of women’s roles in art history.

In this series of photocomposites, I reference master paintings of European art history, with the intention to subvert the visual roles of the women in these paintings. My goal is to create an alternative art history lesson in which the viewer gazes on a woman who gazes decisively back. While my work builds on the attempts of other artists to locate themselves in a cultural visual history, the directed gaze of the women and the humor in the images set my work apart. By imaging my alternative visual history, I allude to the possibility of a different visual future, in which sexuality and agency belong to the women depicted in these images.

A wedding portrait of two women. One is smiling and one is sticking their tongue out.
Wedding Portrait
A woman lying on her stomach on a bed, reading an art history book. She has tan lines. A room is visible behind her. She is raising her eyebrows at the camera.
Nude No. 3 (Venus)
A person looking at the camera sternly. They are posed as though they are important.
Portrait of a Person
A noode woman with her back to the camera, turning around. She is tearing a flower in her hands. Behind her is a red curtain.
Nude No. 1
A Woman looking directly at the camera. A blue cloth is draped around her. She is smiling slightly.
Woman in Blue
A woman lying on a bed wrapped in a sheet. She is holding the sheet to her chest and smirking.
Nude No. 2
A woman wearing a black cloak, holding a cat. She stares sternly at the camera.
Madonna and Child
A nb queen holding a shawl to their chest and looking strong.
Queen of Bones
A panoramic view of the images installed in a gallery space. One wall of the gallery is red.
From the Permanent Collection, installed in the Dept. of Photography C-6 Gallery, Pratt Institute, Brooklyn, NY, USA (18 – 22 March 2013).
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